A book of 4 looks

Autumn Weekend in Scotland

Layers for wind, rain and a warm pub at the end of the day

Scotland in autumn doesn't commit to one kind of weather. The morning is bright and cold, by midday there's rain coming off the hills, and the evening ends by a fire. These looks are built for all of it: knits and wool that keep you warm, outer layers that deal with the wind, and boots that are fine on a muddy path and fine at the bar afterwards. Everything layers on and off easily, and nothing is so precious that you'd worry about it getting wet.

01Heather on the Ridge
02Gray Stone, Camel Coat
03Loch Shore Drizzle
04Supper at the Bothy

01/ 04

Heather on the Ridge

Mara in heather gray long-sleeve thermal undershirt, charcoal plaid flannel shirt-jacket, olive utility cargo pants and dark brown lace-up combat boots. — **Model:** Mara — landscape architect, Zürich

Why it works

The palette comes from the hillside itself: charcoal plaid and heather gray for stone and mist, olive for bracken, dark brown for peat underfoot. Every color is muted and earthy with no accent, so the look sits quietly in the landscape. The charcoal scarf picks up the darkest line in the plaid and ties the top half together.

The proportions are built for walking. A close thermal sits under a slightly roomy shirt-jacket, and relaxed cargos give full range of movement over the boots. The textures build up in practical layers: fine merino against the skin, brushed flannel on top, dense twill below, then leather and wool. Each layer does its own job, so Mara can open the shirt-jacket on the climb and button it up at the summit cairn.

This is how Mara dresses: few elements, good materials, room to move. None of it is trend-bound. The flannel, the cargos and the boots are pieces that get better with ten years of wear, which suits someone who would rather keep one thing a long time than replace it.

The pieces

long-sleeve thermal undershirtheather gray
flannel shirt-jacketcharcoal plaid
utility cargo pantsolive
lace-up combat bootsdark brown

Worn with

scarfcharcoal

How it goes together

A hillwalk uniform for a Highland long weekend: a plaid shirt-jacket over a warm thermal, hard-wearing cargos and dark combat boots, with a wool scarf against the wind.

Open “Heather on the Ridge” on its own page

02/ 04

Gray Stone, Camel Coat

Mara in camel long architectural minimalist coat with clean lines, cream oversized mock-neck sweater, charcoal wide-leg tailored trousers and black chunky-sole loafers. — **Model:** Mara — landscape architect, Zürich

Why it works

The palette follows the city: camel for warmth against the gray stone, cream at the neck to lift the face, and charcoal and black below to sit with the wet setts and closes. There is no accent color, so the coat's clean camel expanse is the only statement.

The proportions are long and even. A floor-skimming architectural coat falls over wide-leg trousers in one unbroken vertical line, and the oversized mock-neck fills the neckline so the coat can hang open without a gap. Textures move from smooth wool to soft knit to worsted trousers to polished leather, each one a little different from the last.

For Mara it is the ten-year coat in practice: few elements, good materials, room to walk the Royal Mile's slopes and closes. The chunky soles handle cobbles and steps, and the scarf and gloves come out when the wind comes off the Forth.

The pieces

long architectural minimalist coat with clean linescamel
oversized mock-neck sweatercream
wide-leg tailored trouserscharcoal
chunky-sole loafersblack

Worn with

scarfcharcoal
glovesblack

How it goes together

An Edinburgh old-town afternoon where one long camel coat does all the work over a quiet cream-and-charcoal base, grounded by black chunky loafers.

Open “Gray Stone, Camel Coat” on its own page

03/ 04

Loch Shore Drizzle

Mara in cream chunky cable-knit sweater, forest green light waterproof shell jacket, dark wash denim relaxed straight-leg jeans and black lined waterproof leather lace-up walking boots with lug sole. — **Model:** Mara — landscape architect, Zürich

Why it works

The palette follows the landscape without copying it. Forest green on the shell echoes wet bracken and pine, cream wool reads like the pale sky over the water, and dark denim, black boots and a navy beanie anchor it all in quiet, deep tones. There are no warm accents and nothing that shouts, just a clear light-to-dark stack from the collar down.

The proportions are simple and walkable. A light shell sits easily over the chunky cable, the straight leg falls cleanly to the boot, and the boot's sole takes on mud and shingle without complaint. The textures do the talking: slick nylon against deep cable wool, rigid denim, and waxed-looking waterproof leather. That is the Scottish autumn in miniature, where soft layers keep you warm and hard layers keep you dry.

For Mara it works the way her parks do. Each element has one job and does it well, and every piece is the kind she would wear for a decade. The shell packs away when the drizzle lifts, and the sweater carries the look on its own at the pub afterwards.

The pieces

chunky cable-knit sweatercream
light waterproof shell jacketforest green
relaxed straight-leg jeansdark wash denim
lined waterproof leather lace-up walking boots with lug soleblack

Worn with

beanienavy

How it goes together

A rain-ready lochside walk built from five honest pieces: a forest green shell over a cream cable-knit, dark straight jeans, black waterproof boots and a navy beanie against the damp.

Open “Loch Shore Drizzle” on its own page

04/ 04

Supper at the Bothy

Mara in charcoal long-sleeve knit sweater dress, oatmeal oversized chunky tonal cardigan and black leather chelsea ankle boots. — **Model:** Mara — landscape architect, Zürich

Why it works

The palette is kept deliberately quiet: charcoal and oatmeal sit like peat and dry bracken, black boots ground the look, and a single burgundy scarf carries the only warmth of color, like the glow of the fire itself. Nothing competes, so the one accent reads as intentional.

In proportion, a long-sleeve knit dress gives a clean, continuous column, and the oversized tonal cardigan softens it with volume at the shoulders and a relaxed drape to the hip. Texture does the rest: fine wool against chunky knit against smooth leather, all honest materials that stay comfortable after hours near a fire and a short walk in the cool Highland dark.

For Mara it is her way of dressing: few elements, good materials, room to move. Every piece is something she would keep for a decade, and the look is considered without being fussy, sitting right on her usual balance of care and restraint.

The pieces

long-sleeve knit sweater dresscharcoal
oversized chunky tonal cardiganoatmeal
leather chelsea ankle bootsblack

Worn with

scarfburgundy

How it goes together

A charcoal knit dress, an oatmeal cardigan and one burgundy scarf for a slow, warm supper by a stone-hut fire after a day on the hill.

Open “Supper at the Bothy” on its own page

See all lookbooks